Tuesday, 13 December 2011

Media Magazine Quotes

·          “Make our choices on the basis of those semi-conscious or hidden memories”
·         “promise centres on higher order status and self-esteem needs such as the desire to be seen as fashionable, socially popular or successful”
·         “Celebrity endorsement is where a celebrity agrees, for a fee, to promote a brand, usually through the visual medium of the television advertisement”
·         “Brand and celeb can be described as mutually beneficial”
·         “Lily Allen under the Chanel umbrella to promote their handbag range in 2009 probably did far more to add a touch of European sophistication to Allen’s slightly dodgy party-girl reputation than it did for Chanel’s already rock-solid brand image.”
·         “Recognizable image constructed through their physical appearance, on-screen roles, and media coverage”
·         “Film fans can develop strong emotional attachments to stars”
·         “Stars seem accessible”
·         “Mediated constructions that can be defined in terms of their economic and social importance.”
·         “human beings who seem both ordinary and extraordinary”

Monday, 12 December 2011

Mining Quotes


“Advertising operates predominantly by changing consumer tastes”
How effective is aspirational advertising such as ‘Paco Rabanne: 1 Million’ and perfume advertising in general, in influencing male consumer lifestyles, and why is this the case?

1.       “associate it with a whole desirable style of life, and to feel that not owning the product would involve personal failure”
a.       Branston, G.,& Stafford, R. (1999). The media student's book (2nd ed.). London: Routledge. pp.379

2.       “often focused upon, reinforcing their perceived importance”
a.       Martin S-Rethel. (2003). An alternative model for analysing a particular moment of media production. Media Magazine

3.       “passively inviting our gaze”
a.       Coad, D. (2008). The metrosexual: gender, sexuality, and sport. Albany: SUNY Press.

4.       “many of these images are idealised, representing life more as it is imagined than as it actually exists”

5.       “advertising operates predominantly by changing consumer tastes” 

6.       “brainwashes its audience with base, deceptive promises and appeals, designed to promote materialism”

How does the R&B genre construct certain gender ideologies around artists such as Ne-Yo and Rihanna? Why these ideologies might be considered post-fem

·         ‘strip tease culture’


 Wikipedia Article

·         The culturalist theory, which was developed in the 1980s and 1990s, combines the other two theories and claims that "people interact with media to create their own meanings out of the images and messages they receive". This theory states that audience members play an active, rather than passive role in relation to mass media.
o   "The Role and Influence of Mass Media". John Wiley & Sons, Inc.. Retrieved November 26, 2011.

·         a well-developed media system, informing and teaching its citizens, helps democracy move toward its ideal state."
o   "Mass Media". Retrieved November 28, 2011.

·         define the issues symbolically"
o   (1997, p. 324). Cultivation of Perceptions:

·         considered as central instruments of mass control
o   Lorimer and Scannell (1994) pp.26–7

·         by portraying a certain interpretation of reality, they shape reality to be more in line with that interpretation
o   Vipond (2000) p.88

·         Consumer behaviour is influenced by: demographics, psychographics (lifestyle), personality, motivation, knowledge, attitudes, beliefs, and feelings.
o   Sandhusen, Richard L.: Marketing (2000). Cf. S. 218

Thursday, 1 December 2011

Critical Investigation Research Links

Critical Investigation Research Links:
·         Women in TV, how they have changed over time:
Source from
http://www.aber.ac.uk/media/Students/hzi9401.html

·         Airbrush photos in Cosmopolitan Magazine for Celebrities
Source from
http://www.tes.co.uk/teaching-resource/Women-s-Magazines-Dominant-Ideologies-airbrush-6106549/
·         1950s America Women Representation Blog
Source from
http://arts.monash.edu.au/publications/eras/edition-3/freame.php

·         Media Stereotyping Network
Source from
http://www.media-awareness.ca/english/issues/stereotyping/women_and_girls/women_beauty.cfm  

·         BBC Article – Beauty Industry – Radio 4 Discussion
Source from
http://www.bbc.co.uk/programmes/b01321hd



·         Egoist
Source from
http://barneygrant.tripod.com/p-erceptions.htm

·         Wiki Links on ages 13-29 Women
Source from
http://www.mattbarton.net/tikiwiki/tiki-index.php?page=Effects+of+Media+portrayal+of+women

·         Cultural Differences in Beauty Industry
Source from
http://edis.ifas.ufl.edu/fy1135


Guardian Links
o   Quote:
§  ‘Woman’s daily make-up ritual, on average she will expose herself to more than 200 synthetic chemicals before she has morning coffee.’
o   Quote:
§  ‘Suppose we are. English women are feminists without thinking about it. We spend more time trying to make statements than looking nice. But no, not all English girls are like that. There are still the Cheryl Coles.’
o   Quote:
§  ‘Olivia Wilde shows how to make an entrance in a cape in our roundup to the essential items of the week’
o   Quote:
§  ‘Now, one doesn't need to be a militant feminist to see that high heels and especially super-high heels are the modern-day equivalent of foot binding. And yet many women, with a worrying degree of masochism, love them. But what mystifies me is the correlation between heel height and heel price.’
o   Quote:
§  ‘A century ago, a woman could let her hair go grey and still feel she was making the best of herself. Between the 1950s and 1970s, the proportion of women dyeing their hair rose from 7 per cent to 40 per cent. Then, during the 1970s, an advertising campaign for L'Oreal Preference made dyeing practically mandatory.’
Advanced Searching
·         PDF Source
·         Word Document Source
·         Book/University

Wednesday, 9 November 2011

Critical Investigation - Level 4 Criteria and Example Comments


A fluent and analytical investigation which explores the chosen topic from a clear, autonomous and critical perspective, making use of extensive and wide-ranging research which has clearly been employed in the investigation and detailed in the bibliography, making use of a wide range of academic, media and contextual sources.
·         ‘When audiences see aspiration adverts, they “associate it with a whole desirable style of life, and to feel that not owning the product would involve personal failure”. Loren Colemen suggests in the copycat theory that viewers model themselves on the representations that they see in the hope that they will gain the idealistic lifestyles that are created.’
·         Comments: use of theories applied to topic which is analysed in how audiences aspire to represent themselves from an ‘idealistic’ lifestyle which is created.

The investigation demonstrates sophisticated research and engagement with the primary text(s) and a range of secondary texts. It is well presented with a very detailed bibliography/source list (AO4).
·         Increased sense of masculinity as “one of the ways of determining whether a male character in an advertisement has the required authority [...]
·         Books
Andrew S. C. Ehrenberg (2000). Repetitive Advertising and the Consumer. Journal of Advertising Research, 40, pp 39-48
Branston, G., & Stafford, R. (1999). The Media Student's Book (2nd Ed.). London: Routledge. pp.379
·         Comments: reference to a quote within sentence, used part of it to demonstrate use of research of a primary text. Bibliography of books represents secondary texts within part of a source list.

The investigation demonstrates sophisticated knowledge and understanding of media concepts, contexts and critical debates relevant to the chosen area of investigation.
·         The female gaze has become accepted since the 1990’s, when the Diet Coke Break advert first allowed females to voyeur. Since this advert, where women watched a topless man out of the window, it is now expected that men in adverts will look desirable, inviting the female gaze.
·         Comments: the female gaze which has been a debate continuously discussed in the media. This is mentioned in this part of the paragraph referring back to the advert.

The work contextualises the study and the linked production piece effectively within the contemporary media landscape (AO1).
·         In Dolce & Gabbana, The One, the main character has been placed in a dominant group of society. He owns an expensive car, and the long duration of the shot emphasises the value of it. Throughout the advert, he is being followed by paparazzi, implying his importance and that people would want to know about him. Furthermore, he does not seem to take any notice of their cameras, which suggests that it is part of his everyday life.
·         Comments: this sentence reflects analysis in media language and a clear example to a particular reference in which links to the production piece effectively within a contemporary media landscape as a recent advert was looked at.

At the top of this level candidates demonstrate very good understanding of the chosen area of investigation, very good, independent research skills and very good application of media concepts, contexts and critical debates.
·         George Gerbner suggested that when audiences consume a media text, they are passively influenced by it and they may even be oblivious to the changes that it creates in them. The cultivation theory can be applied to aspiration adverts as they are viewed on a day to day basis and “many of these images are idealised, representing life more as it is imagined than as it actually exists”
·         This has led to the censorship of many perfume adverts by Ofcom. It has become expected that perfume adverts have sexual content but “ads that are indecent, sexist, sexy [...] present a constant and ever growing problem”.
Comments: Clear, independent researches of adverts as theories and debates have been applied grasping media concepts in different aspects.

The link between the investigation and the production is cogent, clear and evident.
·         Cant seem to find clear link between investigation and intended production